
Kanti Shah and TLV Prasad, two of the masters of the craft of celluloid, have stiff competition.
There’s a new camera-slinger in town. And she is taking no prisoners.
Say hello to my not-so-leetel friend—Kalpana Lajmi who delivers an M-class (Mithun) movie with “Chingari”.
It is not an exaggeration to say that the whole of India was awaiting “Chingari” with bated breath. After all this was the movie where Mithun-da allegedly inappropriately touched Sushmita’s appendages during a rape scene. This was also the movie where the hero, Anuj Sawhney claimed that Sushmita sexually harassed him by intentionally messing up her love scenes a record 36 times so as to repeat the intimate sequences again and again.
And would you believe that the actual culprit behind the rumours was none other than the movie producer Vikas Sahni who thought he could recover some money by spreading such spicy canards?
Frankly I was a bit apprehensive about the movie—would Kalpana Lajmi, the uber-feminist be able to bring out Mithun-da’s true potential, honed through acting with some of the most noted anti-feminists in world cinema like Kanti Shah ( whose dialogue from “Loha”: ” Chatri hoti hain kholne ke liye, chadar hoti hain udne ke liye aur chokhri hoti hain cherne ke liye” led to worldwide protests from bra-burners)?
But now I can tell you the answer: Yes.
Continue reading ‘Chingari–The Review’
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