As the opening credits of “Antarmahal” (Views of the Inner Chamber) fade away and the sound of a creaking bed assails the ears, the viewer discerns, in the semi-darkness, Jaggu-dada (Jackie Shroff not Jagmohan Dalmiya), the Bengali zamindar, motoring away romantically like an oil drill while below the supine figure of Soha Ali Khan (playing the Bengali zamindar’s second wife) lies still, impervious to his copulatory charms.
And then the zamindar burps. And seeks to excuse himself by saying that the “papad” he had for dinner must have been fried in bad oil. And keeps on sawing away.
Oh what a wonderful sex life Bengalis had. The operative word is “had”—things are obviously quite different now in the Bong bedroom.
Namely that there is no second wife.
Whether 19th century Bengal had the best of times or the worst of times we know not, but if we are to trust Rituporno Ghosh’s “Antarmahal” (a sex-ed up adaptation of Tarashankar’s “Protima” ) it surely was the most debauched of times.
Continue reading ‘Inner Chambers of Ritu-Porno’
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