[An edited version of this piece appeared in the DNA on Sunday July 31st]
“Singham” is a throwback to the single-screen, honest-cop-against-the-system potboiler from the 80s and 90s, a formula that as “Wanted” and “Dabangg” demonstrated still has legs, even in these multiplex-friendly, emasculated “Zindagi Na Milegi Dobara” days. Honest cop set-up by bad guys, heroine being ched-chaad-ed by baddies, “comedy” scene, song sequence, romance angle, corrupt cops, corrupt politicians, honest cop arresting goons, bad cop bailing them out, villain coming to police chowki and offering bribes, villain getting humiliated, villain being beaten up, villain getting back at the hero, hero punching his daylights out; every element of the much-loved formula is arranged in repeated regular patterns like nucleotides in a DNA polymer.
And yet Singham for me had as much kick as a slap from Alok Nath.
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