Piku is a good film. No this is not me trying to damn with faint praise. Piku *is* good. Even more than good, I would say it is courageous. In a world of cookie-cutter behemoths , to invest in a film that is paced slow, driven by characters, and set in a non-Oye-Oye-Shava-Shava socio-cultural milieu, requires commercial cojones, and props to everyone associated with Piku, from the big B and the Choice P to the director to the guys who actually put money behind it, for providing us with something that I would not hesitate to use the term ‘risky” to characterize.
However it is not great. But it could so very well have been. It comes very close, several times as a matter of fact, to touching something that is deeper and darker and universal, but almost, whether intentionally or not I cannot say for sure, it draws back into a comforting, crowd-pleasing but ultimately unsatisfying green zone.