[Published in DNA, November 11, 2012]
There are quite a few things from my teenage years that I cringe owing up to, none perhaps as embarrassing as having been a shameless Shahrukh Khan fan-boy. As a matter of fact, I was so Madan Chopraaaa crazy that I would occasionally dress up SRK-style (I still have photographic evidence of me in my Ramjaane-inspired get-up) .
Those days, there was a hero vacuum in Bollywood. Amitabh Bachchan, after a disastrous run in politics, was turning out turkeys like Toofan and Akela, fast descending into the rabbit-hole of Dev Anandian obsolescence. Mithun Chakraborty was preparing to pack his bags for Ootie, Anil Kapoor and Jackie Shroff were on their ways out (they didn’t know it yet of course), Aamir Khan and Salman Khan were still finding their feet through a series of chocolate-boy low-key romantic roles, Saif Ali Khan was thought to be a Sharmila Tagore lookalike with no future, Akshay Kumar was cavorting in speedos as “handsome man” Mr Bond and producers considered Rahul Roy a viable sole-hero.
Yes things were that bad.

Apur Sansar: For Apur Sansar, the final film in the “Apu Trilogy”, the great director plucked a young radio announcer and small-time theater actor from anonymity to play the titular role. Soumitra Chatterjee. Nurtured by Ray’s genius, Soumitra brought to the world of light and shadows the unforgettable character of Apu, boyishly handsome, romantically intense and poetically fragile, journeying on the lyrical road of life, pushing aside the poverty, despondency and death that he encounters on the way. That last scene of “Apur Sansar” in which Apu’s face becomes an almost wordless kaleidoscope of sadness, joy, guilt and hope as he reunites with his estranged son Kajal is so heart-wrenching that not even the greatest curmudgeon can prevent the eyes from welling up with tears. It was as triumphant an arrival of a great actor as one could hope for. So sensational was he that would go on to become the exacting Ray’s favorite actor for all time.
