The Compassionate Society


While the Indian national spectrum allows for a surprising amount of political heterodoxy, with ideologies spanning temple construction, Gandhi-family installation, statue benediction, Bhaiyya defenestration, policy-paralysis-induction, and even more policy-paralysis-induction, there is an almost equally emphatic monochromaticity in economic thought among the political class. In that, there is not a single party of any note that consistently stands for free-markets and limited government. I am not saying, for a second, that what is roughly characterized as libertarian-ism is the solution to India’s economic malaise (far from it if I may add) but some sort of economic diversity in the stated policies of our political masters would bring a countervailing force to the overwhelming preponderance of the big-government protectionist socialism that all parties espouse.

The Swatantra Party tried, a long time ago, to bring a bit of an exotic flavor to the Indian polity, by attempting to infuse concepts like free enterprise into the socio-economic lexicon. They failed. Quite miserably.

The lesson was learnt. In India, the common people have a very definite anthropomorphism of an ideal government.

Namely, the male head of an undivided Hindu joint family.

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Masters of Horror– Part 3


[Previous editions of Masters of Horror—Part 1, Part 2]

As someone who writes genre fiction (Please buy “The Mine” if you have not yet), I always strive to layer in my elements. In other words, I try to hide the real horror of the story beneath the surface of the narrative such that what is being shown is as important (if not more) than what is being implied. Two levels (the outer and the inner) is the maximum I can handle and that too with difficulty. Which is why I doff my cap to Vikram Bhatt, a true master of horror, who effortlessly handles four, five, six and even sometimes seven layers of horror with consummate ease.

Case in point, Vikram Bhatt’s latest blockbuster Raaz 3 aka Raaz 3D aka Raaz the Third Dimension. It has caught the world by storm, getting reviews from NY Times (link) and LA Times (link), setting box-office records in India and perhaps, most impossibly, reviving the career of Bipasa Basu. Raaz 3 has seven layers of horror, which keen readers will note is the same number of circles of Hell envisioned by Dante. This, I believe, is not a co-incidence because sitting through Raaz 3 is like descending into the deepest depths of the Devil’s Lair.

So what are these seven layers you ask. Well, here they are. In no particular order.

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