Dilwale Dulhaniya Le Jayenge is a thousand weeks old.
That’s a long time.
To put it in perspective, a thousand weeks ago, Narendra Modi was a small-time politician in Gujarat, Kohli was eight years old, Vinod Kambli still had a future and I was in first year.
My how days fly.
And yet it seems to be just yesterday that we were introduced to the great patriot Baldev Singh (Amrish Puri), who tracks pigeons from Punjab so great is his desh-bhakti, but who, despite the deep rumblings for mitti ki khusboo, never visits his desh, perhaps because he is too busy looking at “goree teeetli” and drinking Black Dog, (Ok wrong film), his wife the beatific Lajjo, an anthropomorphism of ghee and aloo parathas, their well-fed daughter Simran with a proclivity for dancing in the rain in itsy-bitsy skirts, Raj Malhotra, the character that would be played by the actor, Shahrukh Khan, for the next twenty years in more or less every film, and his father, played by Anupam Kher, who would beat Sonia Gandhi hands down as the parent of the century.
It seems to be just yesterday that DDLJ came into our lives.
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